Clark Art Institute

Williamstown, Massachusetts

The Clark Art Institute’s 140-acre campus in western Massachusetts is a treasured natural resource and a hard working community commons. Our work enables the landscape to work even harder — restoring ecological systems, reducing its environmental footprint, expanding public access to this expansive landscape, and enhancing the Clark’s capacity to realize its educational mission at the intersection of art and nature. Today the landscape is a central part of The Clark's collection and home to its influential annual outdoor art exhibition, Ground/work.

View from Stone Hill Meadow

Art and Nature

The Clark’s mission explicitly links the interpretation of its collection, the experience of its pastoral context, and the generation of ideas. Prior to our work, however, museum visitors and scholars experienced only a small fraction of the campus. It was mostly understood as a passive backdrop in which to view art. In 2001 the Clark Art Institute assembled a multi-disciplinary team to reconceive its campus with the landscape at its center. Working directly for the Clark, from master planning through construction, we shaped a welcoming and harmonious landscape that connects the built and natural environment and unifies new powerful works of architecture by Tadao Ando and existing buildings restored by Annabelle Selldorf with Gensler as architect of record. We continue to work with the Clark to steward its landscape 25 years later.

The Clark Center and the pools reframe the relationship between the campus core and the surrounding landscape.

Ground/work

Each year the Clark now curates a site-specific outdoor art exhibition that responds to and heightens the experience of the landscape.

Taking cues from the scale and texture in the extraordinary Berkshire context, we built a robust and expressive set of landforms, meandering drives that hug and accentuate the hillsides, and over 2 miles of pathways and trails to reintroduce visitors to the Clark's campus. Together these interventions embed the architecture — new and old — in a context with an identity and scale larger than the buildings themselves.

“Here we see the investment of a cultural institution in its stunning natural environment that is as important as the work inside its galleries.”
2015 ASLA Awards Jury
Lunder Center on Stone Hill set within terraced landform for parking, arrival, and gathering.

After a campus plan originally developed in 2001, for the project's first phase, completed in 2008, we situated the Ando-designed Lunder Center in a grassland clearing on a hillside articulated with gathering terraces and crisply defined slopes. Uniting this new home for the prestigious Williamstown + Atlanta Art Conservation Center with the rest of the museum landscape, the plan allows visitors to arrive via an extensive path network that crosses restored streams and grassland passages, and woodland edges, and brings visitors to intimate overlooks with panoramic views.

Atmosphere

Phase 2 debuted in the summer 2014 with the opening of the new Clark Center by Tadao Ando and the reopening of the Museum Building, renovated by Annabelle Selldorf. The Clark Center and the Museum now face a one-acre tiered reflecting pool. The pool is more than a lens to frame views of the landscape beyond and to connect three-generations of architecture; it’s the functional centerpiece of a deeply connected water system linking foundation and roof drains, HVAC makeup, plumbing, and irrigation. We led an integrated design process with engineers of all stripes to ensure that the terraced reflecting pool save the Clark nearly a million gallons a year in potable water.

As a high performing hydrological system and a compelling place to gather, the landscape is truly the centerpiece of the Clark's dedication to renew and sustain the remarkable natural and cultural landscape that makes the Berkshires a destination for visitors from afar and for those closer to home as well.

“The directors and trustees of every art museum in the country should schedule a visit to the Clark sooner rather than later. I am almost certain the experience would stimulate fresh thinking about what their own museums can be, regardless of size, location or architectural ambition.”

Roberta Smith, NYT 7/10/14 

Year

2002–2014

Size

140 acres

Client

The Clark Art Institute

Services

PlanningFull Design

Collaborators

Architects
Tadao Ando AssociatesSelldorf ArchitectsGensler
Engineers
AltieriARCADISArupBuro HappoldGuntlow & Associates, Inc.
Fountain Designers
Dan Euser Waterarchitecture
Owners Representatives
Zubatkin Owner Representation, LLCMAASS
Soils Scientists
Pine & Swallow Environmental
Waterproofing Consultants
James R. Gainfort Consulting

Awards

Best of Design Award: Landscape Architecture

The Architect’s Newspaper 

, 2015

Honor Award

Boston Society of Landscape

, 2015

American Society of Landscape Architects

, 2015

Merit Award for Design

Boston Society of Landscape Architects

, 2011

Press

The Architect’s Newspaper

, 2015

View, Library of American Landscape History

, 2015

“Sense and Sensitivity” by Julie V. Iovine

The Wall Street Journal

, 2014

“The Vanguard of Museum Design” by Ellen Gamerman

The Wall Street Journal

, 2014

“Striving for Grand-Scale Intimacy” by Lee Rosenbaum

The Wall Street Journal

, 2014

Visitor Center, The Clark Art Institute

Architectural Record

, 2014

“A Place of Serene Excitement, Inside and Out” by Roberta Smith

The New York Times

, 2014

“At One With Nature: Transformed Clark Museum Meshes With Rural Landscape” by Robert Campbell

The Boston Globe

, 2014

“After Extensive Renovations, a Transformed Clark” by Sebastian Smee

The Boston Globe

, 2014

“From Divergence, a Thoughtful Calm” by Ted Loos 

The New York Times

, 2014

An Opening Announcement 

The New York Times

, 2014

“A Classic Remastered” by Wendy Moonan 

Architectural Record

, 2014

“A Transformed Clark Institute from Tadao Ando and Annabelle Selldorf” by Tom McKeough

Architectural Digest

, 2014

“A Museum for Shelter for Art — and Snowshoers” by Jane Roy Brown

Boston Sunday Globe

, 2009

“This Tadao Ando Project Is a Berkshires Rental” by Lee Rosenbaum

The Wall Street Journal 

, 2008

“An Art Center Worth the Climb” by Robert Campbell

The Boston Globe

, 2008

Time Magazine

, 2008

“Minimalism in the Mountains, A Prize-Winning Architect Adds To a Museum in the Bershires” by Kelly Crow

The Wall Street Journal

, 2008

“Soft and Poetic: Whisperlike Brushstrokes on Canvas” by Ken Johnson

The New York Times

, 2008

Exhibitions

ART IN NATURE Sterling and Francine Clark Art Institute Williamstown

MA in collaboration with architects Tadao Ando and Gensler

, 2003

LINE MOVEMENT PASSAGE

Museum of Contemporary Art North Adams, Massachusetts with installations by Tadao Ando Photography by Alan Ward

, 2003

Lectures

“Shadow Works: Transforming a Vision into Physical Space at the Clark Art Museum,” Beka Sturges

The Ecological Landscape Alliance Conference

, 2017