The Clark Art Institute’s 140-acre campus in western Massachusetts is a treasured natural resource and a hard working community commons. Our work enables the landscape to work even harder — restoring ecological systems, reducing its environmental footprint, expanding public access to this expansive landscape, and enhancing the Clark’s capacity to realize its educational mission at the intersection of art and nature. Today the landscape is a central part of The Clark's collection and home to its influential annual outdoor art exhibition, Ground/work.
The Clark’s mission explicitly links the interpretation of its collection, the experience of its pastoral context, and the generation of ideas. Prior to our work, however, museum visitors and scholars experienced only a small fraction of the campus. It was mostly understood as a passive backdrop in which to view art. In 2001 the Clark Art Institute assembled a multi-disciplinary team to reconceive its campus with the landscape at its center. Working directly for the Clark, from master planning through construction, we shaped a welcoming and harmonious landscape that connects the built and natural environment and unifies new powerful works of architecture by Tadao Ando and existing buildings restored by Annabelle Selldorf with Gensler as architect of record. We continue to work with the Clark to steward its landscape 25 years later.
Each year the Clark now curates a site-specific outdoor art exhibition that responds to and heightens the experience of the landscape.
Taking cues from the scale and texture in the extraordinary Berkshire context, we built a robust and expressive set of landforms, meandering drives that hug and accentuate the hillsides, and over 2 miles of pathways and trails to reintroduce visitors to the Clark's campus. Together these interventions embed the architecture — new and old — in a context with an identity and scale larger than the buildings themselves.
“Here we see the investment of a cultural institution in its stunning natural environment that is as important as the work inside its galleries.”
After a campus plan originally developed in 2001, for the project's first phase, completed in 2008, we situated the Ando-designed Lunder Center in a grassland clearing on a hillside articulated with gathering terraces and crisply defined slopes. Uniting this new home for the prestigious Williamstown + Atlanta Art Conservation Center with the rest of the museum landscape, the plan allows visitors to arrive via an extensive path network that crosses restored streams and grassland passages, and woodland edges, and brings visitors to intimate overlooks with panoramic views.



Phase 2 debuted in the summer 2014 with the opening of the new Clark Center by Tadao Ando and the reopening of the Museum Building, renovated by Annabelle Selldorf. The Clark Center and the Museum now face a one-acre tiered reflecting pool. The pool is more than a lens to frame views of the landscape beyond and to connect three-generations of architecture; it’s the functional centerpiece of a deeply connected water system linking foundation and roof drains, HVAC makeup, plumbing, and irrigation. We led an integrated design process with engineers of all stripes to ensure that the terraced reflecting pool save the Clark nearly a million gallons a year in potable water.
As a high performing hydrological system and a compelling place to gather, the landscape is truly the centerpiece of the Clark's dedication to renew and sustain the remarkable natural and cultural landscape that makes the Berkshires a destination for visitors from afar and for those closer to home as well.
“The directors and trustees of every art museum in the country should schedule a visit to the Clark sooner rather than later. I am almost certain the experience would stimulate fresh thinking about what their own museums can be, regardless of size, location or architectural ambition.”
Roberta Smith, NYT 7/10/14
Year
Size
Client
Services
Team
Collaborators
Awards
Best of Design Award: Landscape Architecture
The Architect’s Newspaper
Honor Award
Boston Society of Landscape
American Society of Landscape Architects
Merit Award for Design
Boston Society of Landscape Architects
Press
The Architect’s Newspaper
View, Library of American Landscape History
“Sense and Sensitivity” by Julie V. Iovine
The Wall Street Journal
“The Vanguard of Museum Design” by Ellen Gamerman
The Wall Street Journal
“Striving for Grand-Scale Intimacy” by Lee Rosenbaum
The Wall Street Journal
Visitor Center, The Clark Art Institute
Architectural Record
“A Place of Serene Excitement, Inside and Out” by Roberta Smith
The New York Times
“At One With Nature: Transformed Clark Museum Meshes With Rural Landscape” by Robert Campbell
The Boston Globe
“After Extensive Renovations, a Transformed Clark” by Sebastian Smee
The Boston Globe
“From Divergence, a Thoughtful Calm” by Ted Loos
The New York Times
An Opening Announcement
The New York Times
“A Classic Remastered” by Wendy Moonan
Architectural Record
“A Transformed Clark Institute from Tadao Ando and Annabelle Selldorf” by Tom McKeough
Architectural Digest
“A Museum for Shelter for Art — and Snowshoers” by Jane Roy Brown
Boston Sunday Globe
“This Tadao Ando Project Is a Berkshires Rental” by Lee Rosenbaum
The Wall Street Journal
“An Art Center Worth the Climb” by Robert Campbell
The Boston Globe
Time Magazine
“Minimalism in the Mountains, A Prize-Winning Architect Adds To a Museum in the Bershires” by Kelly Crow
The Wall Street Journal
“Soft and Poetic: Whisperlike Brushstrokes on Canvas” by Ken Johnson
The New York Times
Exhibitions
ART IN NATURE Sterling and Francine Clark Art Institute Williamstown
MA in collaboration with architects Tadao Ando and Gensler
LINE MOVEMENT PASSAGE
Museum of Contemporary Art North Adams, Massachusetts with installations by Tadao Ando Photography by Alan Ward
Lectures
“Shadow Works: Transforming a Vision into Physical Space at the Clark Art Museum,” Beka Sturges
The Ecological Landscape Alliance Conference
